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R3HAB, W&W and Timmy Trumpet Team Up For New Track

R3HAB, W&W and Timmy Trumpet Team Up For New Track

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R3HAB, W&W and Timmy Trumpet has teamed up for a new track, “Poison.” Check it out below!


About R3HAB

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game.


About W&W

After meeting up in 2007, Willem van Hanegem and Ward van der Harst came together to form W&W and haven’t looked back since. The Dutch DJ and production duo have transcended the boundaries of genres and traversed the world with their globally acclaimed music and iconic live performances, becoming one of the most sought-after duos the world of electronic music has to offer.


About Timmy Trumpet

Born Timothy Jude Smith in Sydney in 1982, Smith began playing trumpet at age four and initially attended the Sydney Conservatorium of Music, where he received classical instruction. After being thrown out for a prank, however, he transferred to a public high school and became increasingly involved with jazz. Although Smith’s trumpet ability predicted a performance career, it was dance music and not jazz that ultimately grabbed his interest. Around 2001, billing himself as Timmy Trumpet, he began combining his skills as a DJ and trumpeter, a sound that caught audiences’ attention in such EDM hot spots as Ibiza and London.

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Review

“Poison,” is such a well done track. The opening of the track seems to be Timmy Trumpet’s doing with lightly building synths layered against a pitched-vocal. There’s a melodic piano interlude before we get to the drop. The synths in the drop are clearly W&W layered over some of R3HAB’s beat. We get a redo of the verse on the second go-round, this time there’s a rhythmic synth march before another massive drop.


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