Greg Gould is an Australian vocalist whose career has been defined by a powerful, multi octave voice and a commitment to radical emotional honesty. After rising to prominence as the runner up on Australia’s Got Talent in 2013, Gould has spent years refining a sound that blends soulful pop with sweeping orchestral arrangements. His 2024 debut original album, Strings Attached, was a major success, debuting at number 4 on the ARIA Australian Album Chart.

The Deluxe Edition, released on April 10, 2026, expands this body of work into a massive 25 track project. It features a collection of international collaborations with powerhouse vocalists like Shoshana Bean and Morissette, as well as new tracks that address urgent social issues. For Gould, this project is a continuation of a deeply personal journey, revisiting songs that have “sat on his heart” for years and allowing them to grow into a more expansive, cinematic form.

Track-by-Track Review

Marching On (with Asher Havon, Mykey O & Ada Vox)

The album opens with a powerful anthem written in response to homophobic bullying. This collaborative version brings a collective intensity to the track, serving as a defiant statement of pride and resilience.

Just A Man (with HYM) This track serves as a vital mental health anthem. It utilizes a soulful production to explore the vulnerability often hidden behind masculine expectations, anchored by Gould’s expressive delivery.

Who Gave You Permission? (with John Fedellaga) A deeply personal and groundbreaking track that addresses Gould’s own experiences with sexual abuse. It is a gut-wrenching piece of songwriting that prioritizes truth over comfort, turning a dark history into a call for change.

Love It All Out (with Morissette)

A soaring collaboration with the Filipino global powerhouse. This track, which topped charts internationally, explores the theme of resilience through a lush, pop soul arrangement that showcases the technical heights of both vocalists.

Bloodlines (with Aja) This track explores the complexities of identity and heritage. The arrangement is rich and dramatic, utilizing live strings to frame a narrative about the invisible ties that shape who we are.

Something Has To Change (with Mario Jose & Scott Alan) A collaborative effort that leans into a classic, theatrical pop sensibility. It acts as a transitional moment in the album, focusing on the necessity of movement and the courage required to break old patterns.

Come Home (with Tarryn Stokes) A soulful, sweeping ballad that highlights the chemistry between Gould and Stokes. It is a track about longing and the search for safety, grounded by a cinematic orchestral production.

Hurricane (with Willam)

This track brings a different energy to the record, blending Gould’s soulful roots with a sharper, more urgent production. It effectively captures the feeling of a life in upheaval, using a dynamic vocal performance to mimic the storm.

You Are Enough (with Royston Noell) An uplifting message of self worth and acceptance. The lyrics encourage the listener to “let your freak flag fly,” providing a sense of comfort for anyone who has ever felt like they didn’t belong.

Home (with Shoshana Bean & Scott Alan) A high-caliber collaboration with the Grammy winning Bean. This track is a masterclass in vocal control and emotional depth, focusing on the idea of home as a person rather than a place.

No More (with Kate DeAraugo, Kween Kong & Adam Noviello)

The center piece of the Deluxe Edition, created in response to the tragic deaths of Jesse Baird and Luke Davies. It is a powerful, urgent demand for an end to violence, delivered with immense conviction by a collective of Australian voices.

Like This Before (with Jaz Flowers) A melodic and warm track that explores the surprising nature of new connection. It provides a lighter moment in the album’s emotional landscape, utilizing Flowers’ bright vocals to contrast with Gould’s deeper tones.

They Don’t Know This solo moment allows Gould’s multi-octave voice to take full center stage. It is a reflective track about the hidden parts of an artist’s life, delivered with a sense of quiet clarity.

All That Glitters (with Karise Eden & Greg Gould)

A soulful pairing with Eden that explores the distance between public appearance and private reality. The two voices blend perfectly, creating a gritty and authentic atmosphere.

Just For You (with Joan & The Giants & Greg Gould) A warm and supportive track that focuses on the act of giving one’s best to another person. It features a more organic, band driven sound that adds variety to the album’s orchestral palette.

Running (From the Motion Picture ‘Body Blow’) Co-written for the Australian film Body Blow, this track is a cinematic powerhouse. It captures the physical and emotional intensity of being on the move, utilizing a driving rhythm and a soaring chorus.

Goodbye A stark and poignant exploration of finality. The arrangement is stripped back, allowing the vulnerability in Gould’s voice to carry the full weight of the lyrics.

Save Me A Seat

A hopeful, mid-tempo track about loyalty and the promise of return. It features a bright string arrangement that feels like an invitation, moving the album toward a sense of resolution.

Love It All Out (with Tania Doko & Greg Gould) A reimagined version of the hit single that brings a new perspective to the theme of resilience. Doko’s distinctive voice adds a fresh layer of emotional complexity to the established melody.

Marching On (Dave Audé Remix) This remix from the Grammy winning dance icon transforms the pride anthem into a high energy floor filler. It maintains the message of the original while expanding its reach into a new sonic territory.

Just A Man (Buzz William Remix)

Buzz William takes the mental health anthem and injects it with a steady, rhythmic pulse. This version highlights the track’s melodic strength while making it more accessible for a club environment.

Love It All Out (Initial Talk Remix) A retro-leaning take on the single from the Japanese producer. It utilizes an 80s-influenced synth palette to give the song a nostalgic and shimmering feel.

Come Home (Dave Audé Remix) Another masterful rework by Audé that turns the sweeping ballad into a cinematic dance track. It builds from a quiet opening into a saturated, driving crescendo.

No More (Buzz William Remix) The heavy focus track is reimagined here with a more percussive, urgent drive. It allows the powerful message to carry through into late-night sets without losing its gravity.

Bloodlines (Buzz William Extended Remix)

The album concludes with an expansive version of Bloodlines. The extended format allows the string arrangements and the vocal performances more room to breathe, providing a final, epic sense of closure to the project.

Final Thoughts

Strings Attached (Deluxe Edition) is a massive achievement that successfully expands an already impressive debut into something truly definitive. Greg Gould has curated a project that feels like a community effort, utilizing his platform to advocate for those who have been silenced while showcasing his own extraordinary vocal range.

The additional tracks and remixes don’t feel like filler; they feel like a necessary completion of the stories Gould began in 2024. By the time you reach the end of this 25 track journey, it is clear that Gould isn’t just an entertainer; he is an artist using every tool at his disposal to make sure something important is said. It is a powerful, orchestral, and deeply human record that stands as one of the most significant Australian releases of 2026.

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