Jackson Breit returns with Covers 2, the follow-up to his beloved covers collection, and somehow manages to make familiar songs feel brand new. This isn’t just a karaoke-style rehash—this is Jackson doing what he does best: adding soul, polish, and just enough swagger to remind you why you fell in love with the originals and why you’re falling for them all over again.
Let’s dig into the standout tracks.
Lovin On Me (The Joker)
The album opens on a light, funky note with a brilliant mashup of Latto’s Lovin On Me and Steve Miller Band’s The Joker. Jackson leans into the laid-back groove, infusing it with sun-soaked guitar strums and playful vocal phrasing. The fusion shouldn’t work on paper—but it absolutely does. There’s a charm to how he balances cheeky swagger with vintage cool, making it the perfect “press play and smile” opener.
Blinded By The Light (Mrs. Officer)
This one is unexpectedly smooth. Jackson takes the classic Blinded By The Light and threads it seamlessly into Lil Wayne’s Mrs. Officer. What results is a slow-burning, R&B-tinted reinterpretation that feels like a long night drive. He keeps the rhythm pocket tight, letting the falsetto float while the beat grooves underneath. It’s slick without being too glossy, and one of the most inventive pairings on the album.
Tweaker (Kiss Kiss)
Here, Jackson blends a lesser-known track (Tweaker) with Chris Brown’s Kiss Kiss, and it might just be the most rhythmically alive track on the record. There’s bounce, edge, and a playful sense of chaos that somehow stays in control. The guitar work is punchy, the vocals are layered just enough, and the mashup hits like a club remix filtered through an indie-pop lens. It’s wild, but he pulls it off with confidence.
That’s So True (You Make My Dreams)
This is the standout mashup—the emotional high and the feel-good spark all in one. Gracie Abrams’ That’s So True gets uplifted by Hall & Oates’ You Make My Dreams, but it’s Jackson’s signature delivery and crisp production that tie it all together. Funky basslines and filtered guitars carry the track with infectious charm, while the nostalgic hook bursts through like sunlight. It’s joyful, heartfelt, and effortlessly cool.
Chop Suey! (Creep)
Easily the boldest moment on Covers 2. Jackson pairs System of a Down’s Chop Suey! vocal melody with the haunting instrumental feel of Radiohead’s Creep, and somehow it doesn’t just work—it thrives. Slowing down the frantic chaos of Chop Suey! gives the lyrics a strange new vulnerability. It’s moody, heavy, and surprisingly emotional. You’ll never hear either song the same way again.
Don’t Think Twice, (It’s All Right)
Breit takes a breather here with a faithful but heartfelt rendition of Bob Dylan’s classic. His vocals are relaxed but sincere, and the guitar playing is stripped down to its essentials. There’s a certain humility in the way he delivers it—no over-singing, no added gloss—just a quiet respect for the song. It’s a moment of calm amid the more experimental mashups.
Joy Of My Life (K.P & M.T)
This John Fogerty original gets a warm, earthy reimagining here. Jackson’s version is gentle and full of heart, with soft acoustic strums and vocal harmonies that echo like an afternoon porch conversation. The subtle production—light percussion and brushed textures—lets the love song breathe without crowding its simplicity. It’s deeply sincere, and one of the album’s most intimate moments.
Walk Away (Acoustic)
The closing track is a tender, stripped-down version of Jackson’s own “Walk Away.” With nothing but an acoustic guitar and his voice, he delivers one of his most vulnerable performances to date. There’s no pretense here—just honesty, sadness, and closure. It’s the kind of ending that doesn’t just wrap up an album, but leaves a lasting impression.
Covers 2 is a masterclass in balance: between homage and originality, between groove and introspection, between playful mashups and heartfelt simplicity. Jackson Breit proves once again that his superpower lies in making the old feel new—and the new feel timeless.
It’s not just a collection of covers. It’s a love letter to influence, reimagined with heart, humor, and soul. And it absolutely hits.
What did you think of the new Jackson Breit EP? Stay tuned to MusicOnTheRox.com for all your music news and reviews.
